AiNA THE END Revisits ONE PIECE, Gundam Hits in Stripped-Down Set

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No cuts. No safety net. Just a voice.

AiNA THE END stripped everything away for her debut on Dingo Music’s “Killing Voice,” delivering a career-spanning, one-take medley that traced her journey from an 18-year-old songwriter to one of Japan’s most compelling global voices.

AiNA THE END includes songs from ONE PIECE and Mobile Suit Gundam: The Witch from Mercury.
AiNA THE END includes songs from ONE PIECE and Mobile Suit Gundam: The Witch from Mercury.

From ONE PIECE to Gundam, a Career Told in One Take

The format was new for AiNA THE END. The songs weren’t.

Greeting viewers in Korean with, “Hello, I’m AiNA THE END. Thank you for having me,” she opened with “Luminous,” the opening theme for the ONE PIECE Elbaf Arc.

From there, she moved into “Frail,” the theme song for the film “A Strange House.” She followed it with “Red:birthmark,” the ending theme for “Mobile Suit Gundam: The Witch from Mercury” Season 2.

Both tracks showcased the intensity and vulnerability that have become her signature.

The medley also included “Kyrie eleison,” the theme from director Shunji Iwai’s “Kyrie” — the film that marked AiNA THE END’s first leading acting role and premiered at the Busan International Film Festival.

She added “The Spell,” the ending theme for “The Apothecary Diaries,” before launching into “On The Way.” That track is her global breakthrough, surpassing 300 million streams and charting on the Billboard Global 200.

A Stripped-Down Set That Doubles as an Artistic Autobiography

AiNA THE END closed the medley with “Don’t Disappear,” a song she wrote and composed at just 18 years old. She still calls it one of the most important pieces in her catalogue.

The setlist wasn’t a simple greatest-hits run. It was a map of her evolution.

The anime themes introduced her voice to global audiences. The cinematic ballads revealed her emotional range. The personal songwriting tied it all together, a throughline that has stayed constant across her career.

AiNA THE END continues to expand her footprint across Asia through sold-out tours, acclaimed acting roles, and chart-topping releases. But “Killing Voice” brought things back to basics.

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No production. No cuts. Just a reminder that behind every milestone is a voice capable of making the biggest stages feel intensely personal.

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